-Happy Fall from the Open Access Dinosaur!
“Historians have tended to treat the distinctions between raw material and writing in terms of a methodological problem and not in relation to their formation in a colonising logic. Perhaps historians, too, should follow the example proposed by Jose Rabasa, and consider refining the commonplace knowledge is power with the equation discourse is violence. Similarly, Qadri Ismail has argued that history is not just an argument about change through time, but one about progress. History is, according to Ismail, impossible without colonialism. This is not, as I understand it, a call to ‘abandon history.’ Rather, it is an invitation to explore the connections between fact and faith or the disciplinary condition by which an archive produced under conditions of colonisation is filtered, processed, and repackaged only to give rise to the subaltern effect. This is to demand that history’s relation to colonialism itself be subjected to sustained critique.”
-Premesh Lalu, The Deaths of Hintsa: Postapartheid South Africa and the Shape of Recurring Pasts, 263.
Atlanta’s just beginning to shed its blanket of humidity, and fall 2013 is shaping up to be fantastic–if not a bit exhausting. Here’s where I’ll be for the next couple of months:
October 4-6: I’m honored to join Imagining America this year as a PAGE fellow (Publicly Active Graduate Education) this year. The PAGE program aims to rethink how graduate education can be more publicly engaged, and I’ll be meeting up with my amazing co-fellows (seriously, they’re phenomenal!) at the Imagining America conference in Syracuse, New York.
October 16-18: Thanks to the NEH’s generous support, I’ll be headed to College Park, Maryland to take part in the Digital Humanities Data Curation Institute. I’m thrilled to learn more about building sustainable digital projects; data curation has become a bit of a passion (obsession?) of mine, since I think a lot about cultural heritage and how to preserve intangible histories.
November 21-24: I’ll be at the annual American Studies Association meeting in Washington, D.C. for a panel on public histories of dissent. I’m quite excited to join my co-panelists, Dr. Ben Railton from Fitchburg State, the University of Southern Maine’s Dr. Eve Raimon, and Lucy Malroney from Syracuse for our panel about how museums, archives, and public sites engage histories of dissent. Dr. Micki McElya will serve as our chair and commentator. The ASA is always a thought-provoking, reinvigorating (and fun!) conference, and I’m looking forward to our discussion.
Whew. Stop by if you’re in the area, and best wishes for a great fall!
For a lovely Labor Day weekend of cleaning, unpacking, and catching up on work.
The fabulous Miriam Posner posted a great piece on her blog today that’s made the rounds on the Twitterverse. She gives a really useful breakdown of digital humanities projects and the tools you need to know to get started. In some cases Miriam also gives alternatives, which are particularly helpful if you’re interested in something like mapping and need to filter through the potential technologies available.
I’ve spent part of today procrastinating from packing boxes by reading through Darius Kazemi’s latest project, Scenes from The Wire. It’s a kind of meditation on fandom and meme generation; basically, Darius created a bot that grabs random scenes from seasons 1 and 2 of The Wire, puts in subtitles, and makes animated gifs from the results. I’ve followed Darius’s work for awhile now (his ClickBait project is a devastatingly funny take-down of the awfulness that is, well, click-bait) but I’m particularly fond of this project.
(In all seriousness, though, the ECDS folks have been fabulous so far, and we’re really looking forward to being a part of that space. Thanks, ECDS!)